To say that the CTEFLA that was my gateway into the world of English Language Teaching encouraged me to be output-focused would be an understatement. Like many teachers who’ve come through the British ELT system, with its roots firmly in that bare minimum of twenty days of training, and teaching practice from day two of your course, I had bred into me a deep fear of Teacher Talking Time (I can’t be the only one, for example, that was intimidated with lunatic Mathematics along the lines of ‘70% of the talk time should be theirs, leaving you with only 30%!’). This quite naturally engendered a desire to ensure that my students were kept talking at any cost. Indeed, so desperate was I to ensure that I managed to keep my students talking that for at least a year early on, this particular tome was my Bible:
It’s basically a recipe book full of activities designed to do what it says on the tin – keep student talking – and until tonight, I’d not looked at if for at least fifteen years. However, dusting my dog-eared copy down from the shelves, I see that I’ve highlighted several old favourites. There’s the aptly named MAD DISCUSSION for starters, which I believe I used to know as Pizza or Paris, and which involves splitting the class into two teams, asking one member from each team to come forward and then have them talk about why their topic – picked at random from a bag – is better than that of their opponent. Pizzas or Paris, plastic spoons or zips, the wheel or detective novels, and so on. Then there was MAGIC SHOP, which involved each student getting three slips of paper, every one containing a different positive human quality (honesty, health, humility, adaptability, and so on). Students decide which qualities to keep and which to barter with others. They then get ten minutes’ bartering time before reporting back on which qualities they’ve ended up with and how happy this has made them! I could go on, but the urge to invent a time machine and go back and inflict serious damage on my younger self would start to become overwhelming.
Now, given the fact that a four-week course is never going to teach even the most remarkable trainee to really be able to do anything other than fake it, I suspect that much of the reason behind the relentless emphasis on student talking time is simply a fear that the novice teacher will start spouting rubbish given half a chance. I know for sure that I did, repeatedly, and I’ve seen plenty of other young teachers do the same, if not worse!
Instead, far better, the logic runs, to train the teacher to be some kind of all-singing, all-dancing entertainer who can magic fun out of anything available and who may not know much about language, but who sure knows how to get the party started. And once it starts ebbing, how to rekindle it and keep it burning all lesson long!
However, in reality, the fact that novices may well spout nonsense is actually an argument for introducing longer, more comprehensive and more language-focused teacher training courses for those entering the profession, or – at the very minimum – an argument for more serious discussion of what kinds of teacher talk may be valid and what be more problematic, and why – rather than an argument in favour of endless activities and talking for its own sake.
Another argument put forward in support of an output-dominated pedagogy is the notion that if not here, then where? In other words, if students don’t practise in class, then where will they ever get the chance to do so? Interestingly, even more recent critiques of the state of affairs we’ve gotten ourselves into such as the Demand High idea propagated by Jim Scrivener and Adrian Underhill still seems more focused on methodology and on what we as teachers can do in terms of classroom techniques to encourage our students to produce more and to stretch and expand their output.
The result has long been, continues to be and sadly will probably continue to be, for as long as CELTAs are still regarded as serious gateways into the profession, classrooms full of clowns with their bags of tricks, recipes, fun in large neon lights, and loads of hot air. Signifying very little indeed.
Of course, it doesn’t have to be this way at all, you know! It took me a while to work this out, but once I did, the blinding obviousness of the revelation almost . . . um . . . well, blinded me, I suppose. Anyway, here’s the secret. It’s this: students don’t actually learn language by chatting away using the language they already have, no matter how much fun they may have in the process. They actually learn language from language. Not images. Not blank spaces in coursebooks left in to lighten the visual load on a page. Not from running round the classroom in a frenzy. But from language.
Whilst it’s possible that some of the interaction students engage in with other students during a lesson may expose them to new input or encourage them to produce for themselves things that had hitherto remained stuck in the receptive parts of the brain, we need to accept that it also may NOT. This isn’t to say that there are no good reasons for still doing pair work: there are obviously plenty. It’s simply to state that linguistic development and enrichment are NOT among the activity’s prime functions!
To really get over the Intermediate hump and to progress anywhere near to Advanced level, students not only to practise again saying what they’ve already learned to say. They need to take on board large amounts – huge amounts even – of new language. They need to tighten up on their ability to use grammar, sure, but basically they need a ton of lexis: collocations, chunks, fixed and semi-fixed expressions, and so on. They need to meet these things repeatedly, they need to have certain salient features of them brought to their attention somehow and they need to do something – possibly, actually, they need to do almost anything – with them. Given that the teacher alone cannot be expected – or, of course, in most cases (my own included, I hasten to add!) be trusted – to provide sufficient relevant input themselves, via correction and teacher talk, then the issue of INPUT becomes perhaps the most pressing one that teachers have to think about.
Given that we seem to be living through the days of increasingly shrill rhetoric about flipped classrooms and that we’re constantly being told that technology now facilities exposure to English 24-7-365, many might argue that now more than ever the classroom should be output focused, but I would turn this on its head – or flip it, if you prefer (see what I did there!) – and ask if not in class, then where – and, more crucially, when?! The fact remains that for the vast majority of students, class is the one place where they have a hope of getting input pitched roughly at their level, which can then be mediated, explained, expanded upon, explored and revised by a professional – that’s us, kids – and that’s because most students who wind up in EFL classes, especially those who come as adults, are essentially failures in varying degrees. The lucky few, those who can learn a foreign language via interaction, are skipping class in favour of going out there and learning language through interaction! The rest of us miserable wretches all know what we ought to do if we really want to learn a foreign language well, but Lord knows that doing right is the hardest work there is on God’s own earth – and that it ain’t nowhere near as much fun as doing wrong.
If you’re honest, you know that most students don’t do much outside of class to push on from where they’re at. They do what we all do – take easy options and short cuts. They may well do some interactive stuff online, which is fine, but it’s not tackling new input; they may well try and tackle some insanely optimistically graded text of some kind – The Guardian, perhaps, or a two-hour movie that contains accents and language even native-speakers may well struggle with in places; but what all but the most motivated and focused few won’t do is read graded readers, do an hour (or even half an hour) a day from decent self-study vocabulary books, and so on. It’s too much like hard work.
And the fact that we not only have such an expression in English, but that it’s such common currency says much about the age in which we live, I fear!
Anyway, to wrap up for tonight, this is where the choice of material becomes crucial. Material we select for classroom use needs to take the weight of all these issues on its shoulders. It needs to amuse and entertain, for sure, but also it needs to push and stretch as well. On top of that, it needs to guide and shape awareness both of how language works and also of what needs to be done to get to the next rung on the ladder of linguistic competence. It needs, in short, to demand more of its users. And if we as teachers are serious about demanding high, then making sure our classes are focused first and foremost on input rather than output is not simply an option, but a must.
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