2 Words are difficult to define

640px-Building_made_of_Kapla_blocks copy

We recently had an email about the text on one part of our website, where this question was asked – “Should it be language is the building blocks or language is the building block?” It’s a good question to lead into this post. It’d be a bit strange to say building block as not much gets constructed with one block, but can you say lexis are the true building blocks? The temptation is to replace lexis with words, but then this panders to the idea of a word as clear, distinct entity matched with a clear distinct meaning unaffected by other words or grammar around it. According to Hanks (see below), this is more or less the original position of Chomsky. It allows for infinite creativity as these single words are slipped into syntactic slots, but runs into problems when we see how words are actually used.

Of course, words can be used on their own. Help!, God and You all work on their own and strings of single words such as ‘want see film ages’ can be used to create messages even without formal syntax. That’s what often happens when we start using a language, whether mother tongue or second language. However, in the language that more fluent speakers produce, what we mean by a word is often pretty difficult to define, not just in terms of meaning, but also in terms of its boundaries.

.blurred lines

Units of meaning

For example, phrasal verbs contain two or three types (the technical term for a single word), but we don’t process “pick up” or ‘look forward to’ as types with separate meanings. If we see phrasal verbs as having a single meaning, then we might also see an idiom like “lay your cards on the table” as being equivalent to one meaning. Alison Wray has argued that there are many more formulaic phrases that may be less obviously idiomatic such as “when I was a kid” which are processed in a similar way. For the purposes of recall, these phrases are conceived of as single units of meaning (Wray) in the speaker’s mind and in the way the listener processes what they hear. Interestingly, one sign that Wray suggests identifies these formulaic phrases is that they are said more quickly than non-formulaic combinations. The phonologist Richard Cauldwell shows how a ‘word’ within this kind of formulaic phrase can be compressed to single sounds or may even disappear altogether. We might conclude that this doesn’t matter because what we process in terms of meaning is the whole utterance.

Collocation

We then have the effect of collocation on the meaning of words. In his brilliant new book Norms and Exploitations, the lexicographer Patrick Hanks illustrates the subtle changes in meaning of words such as fire or file when new collocates are applied to them. So raging fire and roaring fire imply different kinds of fire – one out of control and usually consuming a whole building, the other one deliberately constructed in a fireplace to warm a domestic space. At the same time, though, fire implies a different kind of raging and roaring to raging lunatic and roaring crowd. Filing a medical report, a news report or a flight log all involve quite different acts, despite all fitting a ‘file a document’ pattern. We will return to his ideas of norms and exploitations at a later date, but for the moment it’s sufficient to emphasise again that meanings – particularly all the meanings of many single words – are difficult to define and as a principle we should be looking beyond single words in terms of our teaching

Applications

Still, based on our first principle that words are more important than grammar, let’s not say “never teach a single word”. Let’s say instead that we should

  • See the single word and the definition as only a first step  – e.g. revise single words by looking at collocations and patterns
  • Notice longer units of meaning and not just traditional phrasal verbs and idioms
  • Provide and elicit more collocations and examples
  • If you are starting from a collocation or phrase, think about the collocations and usage of that collocation / phrase.
  • Provide more examples of how combined words sound at speed (Cauldwell)

Links and references

http://www.cardiff.ac.uk/encap/contactsandpeople/profiles/wray-alison.html – Allison Wray’s Profile page

http://lextutor.ca/cv/wray.htm – Tom Cobb’s review of Wray – including Wray’s doubts on how applicable her ideas are to L2 learning.

http://www.speechinaction.org/ – Richard Cauldwell’s site

http://mitpress.mit.edu/books/lexical-analysis-0 – Patrick Hanks’s book

https://www.press.umich.edu/pdf/0472030299-intro.pdf – Intro to Folse’s Vocabulary Myths which covers similar ground to this post – but more fully and better!

Photo “Building made of Kapla blocks”. Licensed under Public Domain via Wikimedia Commons – http://commons.wikimedia.org/wiki/File:Building_made_of_Kapla_blocks.jpg#mediaviewer/File:Building_made_of_Kapla_blocks.jpg

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3 Responses

  1. MuraNava says:

    hi

    just dropping some links your readers of this post may be interested in:

    A Wray open access article from 2012 on state of formulaic language research – http://journals.cambridge.org/action/displayFulltext?type=6&fid=8771499&jid=APL&volumeId=32&issueId=-1&aid=8771498&bodyId=&membershipNumber=&societyETOCSession=&fulltextType=RA&fileId=S026719051200013X&specialArticle=Y

    Patrick Hank’s Pattern Dictionary of Verbs – http://www.pdev.org.uk/

    ta
    mura

    • Lexicallab says:

      Thanks Mura.

      We’ll be writing more about Patrick Hanks and his work soon
      as he’s someone we’ve both been enjoying a lot and pondering the
      implications of.

      Where I think his ideas have most relevance for teachers is in the idea that once you get beyond basic meanings (which, as he shows, are often very difficult indeed to pin down in any exact way, and are invariably dependent on the words around), then what’s important is the patterns the words take, whilst for nouns, it’s what verbs 9and adjectives) go with them. I also love the fact he has corpus data divided into norms and exploitations of norms, thus showing how much everyday creativity is much more down to messing about with the normal ways in which lexical items are used than it is to with grammar in any traditional sense of the word.

      Alison Wray is interesting for insisting – quite rightly – that much of our everyday language is more idiomatic (and thus more multi-word oriented) than perhaps we realise – and certainly much more than the narrow EFL focus on colourful idioms leads us to believe.

      One of the very few ELT books that understands this is Jon Wright’s superb Idioms Organiser.

    • Thank you for these additional links! Really useful.


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